Journalist and story teller, HELEN KAPALOS’S journey into cannabis

Photography ANTONELLA MORELLI
Words HELEN KAPALOS
Interview BEE MOHAMED

Post Thumbnail

One of Australia’s most respected broadcasters, Helen Kapalos is an award-winning independent filmmaker, whose 2015 breakthrough feature film ‘A Life of its Own – ‘The Truth about Medical Marijuana’ was distributed globally by streaming service Netflix and continues to be broadcast as an educational documentary on medicinal cannabis across the world. During her career, Helen has championed better social policy outcomes for one of Australia's largest not for profits and continues to design and deliver media awareness courses for the Australian Defence Force in her role as a Media Specialty Associate at Melbourne Business School. She has led numerous state and federal submissions representing marginalised members of the Victorian community in Multifaith Policy, Family Violence and Multiculturalism. Helen remains deeply committed to providing better outcomes for medicinal cannabis patients, with her advocacy reaching the highest levels of government.

Helen’s desk with a framed message from a patient while making A Life of Its Own – Truth about Marijuana.

Photography ANTONELLA MORELLI

Helen at home in Bangalow, Northern Rivers NSW. 

Photography ANTONELLA MORELLI

Helen’s scrapbook, capturing her career as a well-known journalist. 

Photography ANTONELLA MORELLI

Interview with Bee Mohamed

20 April 2024

BEE MOHAMED: In creating “A Life of Its Own – The Truth of Marijuana,” what was a powerful truth you discovered during the making of this documentary?

HELEN KAPALOS: That the truth finds us, and that being in our truth can commit us to higher journeys, as I discovered was the case for me with making ‘A Life of its Own – the Truth about Medical Marijuana’.

It all began when I  was working on a program called ‘Sunday Night’, for the Seven Network, specialising in long form feature storytelling. I was assigned a story about a young man using cannabis to help treat the symptoms from his chemotherapy, for stage four bowel cancer. He was only 24, and he was really doing it tough – also using cannabis oil to directly treat his cancer. I had never heard of that before and quickly realised there was more to this. I could also see the courage it took him to speak his truth. He was a shy kid, modest and not a fan of the media or publicity and suddenly here he was in the centre of a story that magnetised so many influential change makers around him.

It was here that I witnessed the powerful pulling force of storytelling and how his eloquence and innocence invited so many others in to tell their own truth. Suddenly ordinary mums and dads, and people from all tiers of society added their voices. It was one of the most extraordinary things I have ever witnessed in my journalism career. People were explaining how they were being forced to source illegal cannabis to treat chronic conditions, such as intractable epilepsy, when all other medical avenues had failed.

The truth was that cannabis could be a potent healing agent and that more people needed to know and less people needed to feel shame about that. I felt the weight of responsibility to tell the story in its entirety and to reach as many people as possible. We were already experiencing very high engagement levels when the story aired, which allowed me to keep extending the investigation and airing more stories. That is, until the reality of commercial and ratings-driven TV came into the picture.

After running the second feature story, profiling a young Victorian family using cannabis oil to treat their young boy for a chronic condition, that family’s home was raided by police. The medicine was confiscated and it was devastating for the parents and I have to say for me as well. The news bosses were delighted as it made for great viewing, but I knew this raid took place as a direct result of me telling their story, which had a catastrophic outcome when the medicine was taken away by law enforcement officers. It was a painful turn of events that forced me to confront a glaring conundrum – that this style of journalism did not align with my values.

So, unquestionably the governing force that motivated me to make this documentary was embarking on my own truth. I had to go back to the start and ask myself why. Why did you become a journalist? The answer was simple: to tell the truth – to empower others to tell their truth, and for that truth to help us make better sense of the world we live in.

Helen’s storage of memory cards while filming the documentary.

Photography ANTONELLA MORELLI

BM: What does truth and speaking the truth mean to you?

HK: Speaking the truth is sometimes easy, but most often, tough. Although I am a pretty direct person, I do not like upsetting people. I like pleasing them, which of course, means setting boundaries is a big theme in my life. At its worst, speaking the truth can alienate and divide, and at best, it is the ultimate act of emancipation,

In my case it unshackled me from a career that was threatening to erode my values and stepping away from that, and into this new world, where I had no idea what was next, or how I would get on in the world, was an unscripted adventure. Losing control of everything I had known – the safe life, the safe job, the steady income, the comfortable world I had settled into, meant I had to form a different relationship with the world.

It is  where I came to realise the next truth in life; that we have a lot less control than we think, and that missteps, sidesteps, falling down and getting up again are non-negotiable truths, not just for me, but for everyone. Some people might like to think of these u-turns in binary terms like success and failure.

However, I learned that speaking my truth was the passport to a fulfilling life, and that it would sometimes invoke painful consequences along the way, and that’s how it had to be. What was seen (for me, this new freedom to create my own destiny) could not be unseen.

“It is where I came to realise the next truth in life; that we have a lot less control than we think, and that missteps, sidesteps, falling down and getting up again are non-negotiable truths, not just for me, but for everyone.”
- Helen Kapalos

Helen’s scrapbook of when she was a television presenter and started investigating into medicinal cannabis. 

Photography ANTONELLA MORELLI

Helen began her career in television and journalism in 1994, as a reporter for ABC radio. 

Photography ANTONELLA MORELLI

BM: What was the hardest truth you had to accept in your journey within this industry?

HK: I think the hardest truth is one that remains prescient for many of us; that not everyone’s actions reflect their mission truthfully, despite the story they tell.  It’s easy to go off course when there is a commercial reality involved, I get that. So truth has to be the anchor. A lot of industry players have been beguiled by the early and rapid success of the market – which questionably is not capturing or reaching the segment of market it was intended for, in this case middle Australia. The stats tell us a different story.

I thought the whole purpose of legalising medicinal cannabis was to provide a fundamental human right to community; to inform patients about every available healthcare option and choice in their personal treatment journey. To exercise this truth, involves educating lawmakers, the medical profession and the public, who deserve to know and understand the credible research and science behind plant medicine.

That’s a herculean task when you consider the biggest elephant in the room remains stigma.

 

BM: How do you feel we can transform this industry through a lens of truth?

HK: I love that you asked this question, because I think the answer is simple. Just stay in your truth. In business terms, it means staying true to your company’s purpose, which should not amount to corporate speak on a website, or words that form the tagline of a brand.

Sometimes it is really tough to stay centred in all the noise, when it appears others are running off with the spoils, but the universe can and does accommodate all of us. What’s infinitely more satisfying than ‘owning’ a huge slice of the market through nefarious means, is being part of an organisation that is guided by ethical leadership and visionary ideals that embraces communities everywhere.

We have to remember this is still a pretty new industry and it needs good actors and model citizens at the forefront. The clearest person wins.

Contributors

Post Thumbnail

Antonella Morelli

Creative film photographer based in Bundjalung Country, Byron Bay
Post Thumbnail

Bee Mohamed

Advocate and storyteller based in Bundjalung Country, Byron Bay